282 bars of 4/4 at 137 BPM, about 8:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 79-85, 87-93 and 95-101, and 5 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 62 times: bars 29, 31, 33, 34, 35, 36 and 56 more.
7 more fills are written out on the fills page.
291 bars across 19 sections: 191 keep time, 62 are fills, 7 are stops and 17 are silent. The longest unbroken stretch of time is bars 252-283.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
282 bars, about 8:12 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 62 times: bars 29, 31, 33, 34, 35, 36 and 56 more.