197 bars of 4/4 at 150 BPM, about 5:16 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 36-43, 118-120 and 126-128 -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 69 times: bars 1, 2, 4, 5, 6, 11 and 63 more.
15 more fills are written out on the fills page.
197 bars across 17 sections: 69 keep time, 69 are fills, 37 are stops and 7 are silent. The longest unbroken stretch of time is bars 140-148.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
197 bars, about 5:16 at the written tempo. The course breaks it into 62 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 69 times: bars 1, 2, 4, 5, 6, 11 and 63 more.