84 bars of 4/4 at 140 BPM, about 2:24 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-14 and 17-19, and 3 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 15, 16, 23, 24, 28, 40 and 13 more.
4 more fills are written out on the fills page.
84 bars across 10 sections: 36 keep time, 19 are fills, 15 are stops and 10 are silent. The longest unbroken stretch of time is bars 9-14.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
84 bars, about 2:24 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 29 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 15, 16, 23, 24, 28, 40 and 13 more.