121 bars of 4/4 at 150 BPM, about 3:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14 and 27, and 11 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 40 times: bars 9, 15, 16, 17, 29, 30 and 34 more.
10 more fills are written out on the fills page.
121 bars across 13 sections: 56 keep time, 40 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 43-52.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
121 bars, about 3:14 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 40 times: bars 9, 15, 16, 17, 29, 30 and 34 more.