101 bars of 4/4 at a walking 100 BPM, 4:01 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-12, 43-50 and 99-100 -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 20 times: bars 13, 14, 18, 22, 26, 31 and 14 more.
5 more fills are written out on the fills page.
101 bars across 12 sections: 53 keep time, 20 are fills, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-12.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
101 bars, about 4:01 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 13, 14, 18, 22, 26, 31 and 14 more.