112 bars of 4/4 at 130 BPM, about 3:27 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 37-39, and 3 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 38 times: bars 6, 10, 12, 20, 25, 26 and 32 more.
12 more fills are written out on the fills page.
112 bars across 14 sections: 55 keep time, 38 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 14-19.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
112 bars, about 3:27 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 38 times: bars 6, 10, 12, 20, 25, 26 and 32 more.