123 bars of 4/4 at a walking 80 BPM, 5:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 39, 41-45 and 63-66 -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 26 times: bars 7, 13, 38, 47, 48, 49 and 20 more.
10 more fills are written out on the fills page.
123 bars across 13 sections: 73 keep time, 26 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 24-30.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
123 bars, about 5:59 at the written tempo. The course breaks it into 54 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 26 times: bars 7, 13, 38, 47, 48, 49 and 20 more.