288 bars of 5/4 -- not four -- at 195 BPM, 8:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-16, 61-63 and 65-66, and 1 more place -- 9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 57 times: bars 24, 43, 44, 47, 48, 52 and 51 more.
24 more fills are written out on the fills page.
288 bars across 26 sections: 124 keep time, 57 are fills, 1 is a stop and 78 are silent. The longest unbroken stretch of time is bars 6-16.
195 BPM, in 5/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
288 bars, about 8:21 at the written tempo. The course breaks it into 109 exercises over 30 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 57 times: bars 24, 43, 44, 47, 48, 52 and 51 more.