69 bars of 4/4 at a walking 90 BPM, 3:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-11 and 13-15 -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 18 times: bars 5, 6, 7, 8, 10, 12 and 12 more.
4 more fills are written out on the fills page.
69 bars across 6 sections: 26 keep time, 18 are fills, 1 is a stop and 20 are silent. The longest unbroken stretch of time is bars 35-51.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
69 bars, about 3:50 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 5, 6, 7, 8, 10, 12 and 12 more.