484 bars, 35:42, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 249, 251-253 and 255-257, and 9 more places -- 6.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 17 times: bars 10, 12, 14, 16, 22, 30 and 11 more.
9 more fills are written out on the fills page.
484 bars across 43 sections: 331 keep time, 17 are fills, 9 are stops and 61 are silent. The longest unbroken stretch of time is bars 248-301.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
484 bars, about 35:42 at the written tempo. The course breaks it into 163 exercises over 59 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 17 times: bars 10, 12, 14, 16, 22, 30 and 11 more.