246 bars of 4/4 at a walking 100 BPM, 10:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13 and 15, and 28 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 27 times: bars 5, 12, 16, 24, 32, 40 and 21 more.
11 more fills are written out on the fills page.
246 bars across 19 sections: 152 keep time, 27 are fills, 37 are stops and 13 are silent. The longest unbroken stretch of time is bars 156-175.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
246 bars, about 10:10 at the written tempo. The course breaks it into 53 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 27 times: bars 5, 12, 16, 24, 32, 40 and 21 more.