187 bars at 165 BPM -- fast, and 4:38 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 77, 85 and 107-122, and 4 more places -- 14.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 16 times: bars 20, 28, 36, 44, 53, 54 and 10 more.
5 more fills are written out on the fills page.
187 bars across 15 sections: 110 keep time, 16 are fills, 30 are stops and 18 are silent. The longest unbroken stretch of time is bars 56-83.
165 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
187 bars, about 4:38 at the written tempo. The course breaks it into 54 exercises over 19 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 20, 28, 36, 44, 53, 54 and 10 more.