136 bars of 4/4 at a walking 87 BPM, 6:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-19, 40-53 and 72-73, and 6 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 33 times: bars 23, 28, 29, 30, 31, 54 and 27 more.
10 more fills are written out on the fills page.
136 bars across 15 sections: 72 keep time, 33 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 41-53.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
136 bars, about 6:15 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 33 times: bars 23, 28, 29, 30, 31, 54 and 27 more.