200 bars of 3/4 -- not four -- at 138 BPM, 4:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20-34, 68-82 and 108-122 -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 16 times: bars 9, 10, 11, 35, 51, 59 and 10 more.
3 more fills are written out on the fills page.
200 bars across 13 sections: 118 keep time, 17 are fills, 44 are stops and 8 are silent. The longest unbroken stretch of time is bars 21-34.
138 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
200 bars, about 4:21 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 9, 10, 11, 35, 51, 59 and 10 more.