113 bars of 4/4 at 128 BPM, about 3:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-23, 41-43 and 45-47, and 2 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 8, 16, 32, 40, 56, 59 and 12 more.
7 more fills are written out on the fills page.
113 bars across 12 sections: 79 keep time, 18 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-7.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
113 bars, about 3:32 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 8, 16, 32, 40, 56, 59 and 12 more.