185 bars of 4/4 at 138 BPM, about 5:24 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-40, 42-48 and 58-64, and 3 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 24, 32, 41, 49, 57, 65 and 8 more.
2 more fills are written out on the fills page.
185 bars across 13 sections: 133 keep time, 14 are fills, 10 are stops and 17 are silent. The longest unbroken stretch of time is bars 89-104.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
185 bars, about 5:24 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 24, 32, 41, 49, 57, 65 and 8 more.