235 bars of 4/4 at 120 BPM, about 6:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-22, 25-30 and 33-38, and 15 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 23, 63, 95, 102, 110, 134 and 1 more.
1 more fill is written out on the fills page.
235 bars across 15 sections: 137 keep time, 7 are fills, 53 are stops and 22 are silent. The longest unbroken stretch of time is bars 200-230.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
235 bars, about 6:54 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 23, 63, 95, 102, 110, 134 and 1 more.