64 bars of 4/4 at a walking 77 BPM, 3:19 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 33 and 37, and 2 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 18, 21, 24, 39, 42, 43 and 3 more.
3 more fills are written out on the fills page.
64 bars across 10 sections: 36 keep time, 9 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 25-35.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
64 bars, about 3:19 at the written tempo. The course breaks it into 30 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 18, 21, 24, 39, 42, 43 and 3 more.