82 bars of 4/4 at a walking 109 BPM, 3:01 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 25-27, 29-30 and 45-47, and 3 more places -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 3, 4, 32, 44, 56, 68 and 2 more.
2 more fills are written out on the fills page.
82 bars across 13 sections: 50 keep time, 8 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 10-19.
109 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
82 bars, about 3:01 at the written tempo. The course breaks it into 41 exercises over 16 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 3, 4, 32, 44, 56, 68 and 2 more.