157 bars at 155 BPM -- fast, and 4:02 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21, 37 and 39, and 14 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 42 times: bars 8, 11, 12, 16, 19, 20 and 36 more.
11 more fills are written out on the fills page.
157 bars across 21 sections: 63 keep time, 42 are fills, 13 are stops and 24 are silent. The longest unbroken stretch of time is bars 23-28.
155 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
157 bars, about 4:02 at the written tempo. The course breaks it into 59 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 42 times: bars 8, 11, 12, 16, 19, 20 and 36 more.