84 bars of 4/4 at 136 BPM, about 2:28 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 27-29 and 31-33, and 4 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 12 times: bars 10, 11, 30, 34, 40, 41 and 6 more.
1 more fill is written out on the fills page.
84 bars across 11 sections: 53 keep time, 12 are fills and 6 are silent. The longest unbroken stretch of time is bars 42-48.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
84 bars, about 2:28 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 10, 11, 30, 34, 40, 41 and 6 more.