240 bars of 4/4 at a walking 100 BPM, 9:34 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 126-139, 141-148 and 150-167, and 2 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 225, 229, 236 and 237.
240 bars across 12 sections: 130 keep time, 4 are fills, 5 are stops and 88 are silent. The longest unbroken stretch of time is bars 126-189.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
240 bars, about 9:34 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 225, 229, 236 and 237.