130 bars of 4/4 at 152 BPM, about 3:24 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-35, 38-39 and 50-51, and 10 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 17, 25, 40, 41, 67, 83 and 4 more.
2 more fills are written out on the fills page.
130 bars across 14 sections: 72 keep time, 10 are fills, 35 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-16.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
130 bars, about 3:24 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 17, 25, 40, 41, 67, 83 and 4 more.