76 bars of 4/4 at 130 BPM, about 2:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5-7, and 14 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 27 times: bars 2, 8, 12, 13, 14, 15 and 21 more.
6 more fills are written out on the fills page.
76 bars across 7 sections: 38 keep time, 27 are fills and 4 are stops. The longest unbroken stretch of time is bars 58-63.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
76 bars, about 2:20 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 27 times: bars 2, 8, 12, 13, 14, 15 and 21 more.