95 bars of 4/4 at a walking 96 BPM, 3:58 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 30-32, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 7, 8, 9, 20, 37, 46 and 9 more.
3 more fills are written out on the fills page.
95 bars across 8 sections: 63 keep time, 15 are fills and 6 are silent. The longest unbroken stretch of time is bars 64-78.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
95 bars, about 3:58 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 7, 8, 9, 20, 37, 46 and 9 more.