96 bars of 4/4 at 117 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 13 and 37, and 7 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 6, 7, 10, 12, 16, 19 and 5 more.
4 more fills are written out on the fills page.
96 bars across 8 sections: 30 keep time, 11 are fills, 10 are stops and 42 are silent. The longest unbroken stretch of time is bars 36-40.
117 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
96 bars, about 3:17 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 6, 7, 10, 12, 16, 19 and 5 more.