87 bars of 4/4 at a walking 103 BPM, 3:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-14, 16-17 and 21-23, and 2 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 10, 15, 70 and 82.
87 bars across 10 sections: 66 keep time, 4 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 16-37.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
87 bars, about 3:23 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 10, 15, 70 and 82.