127 bars of 4/4 at 153 BPM, about 3:18 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 34-36, and 12 more places -- 30.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 22 times: bars 1, 9, 17, 24, 25, 33 and 16 more.
7 more fills are written out on the fills page.
127 bars across 7 sections: 81 keep time, 23 are fills and 12 are stops. The longest unbroken stretch of time is bars 82-88.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
127 bars, about 3:18 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 1, 9, 17, 24, 25, 33 and 16 more.