122 bars of 4/4 at a walking 90 BPM, 5:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-34 and 48-54 -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 7, 19, 35, 47, 55, 75 and 5 more.
2 more fills are written out on the fills page.
122 bars across 8 sections: 72 keep time, 11 are fills, 17 are stops and 18 are silent. The longest unbroken stretch of time is bars 20-34.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
122 bars, about 5:24 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 7, 19, 35, 47, 55, 75 and 5 more.