113 bars of 4/4 at a walking 106 BPM, 4:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-21, 47-57 and 59-61 -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 24 times: bars 22, 23, 24, 25, 26, 30 and 18 more.
4 more fills are written out on the fills page.
113 bars across 13 sections: 69 keep time, 24 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 7-21.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
113 bars, about 4:16 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 22, 23, 24, 25, 26, 30 and 18 more.