117 bars, 6:28, at 69 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 57, 59 and 79, and 4 more places -- 6.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 65 times: bars 14, 15, 16, 17, 18, 26 and 59 more.
19 more fills are written out on the fills page.
117 bars across 12 sections: 29 keep time, 65 are fills and 11 are silent. The longest unbroken stretch of time is bars 20-25.
69 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
117 bars, about 6:28 at the written tempo. The course breaks it into 55 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 65 times: bars 14, 15, 16, 17, 18, 26 and 59 more.