150 bars of 4/4 at a walking 104 BPM, 5:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12, 16 and 54, and 1 more place -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19 fills to learn, played 51 times: bars 9, 10, 11, 13, 14, 15 and 45 more.
15 more fills are written out on the fills page.
150 bars across 14 sections: 56 keep time, 51 are fills, 21 are stops and 11 are silent. The longest unbroken stretch of time is bars 19-24.
104 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 8 out of 100; the rest of the number is everything around it.
150 bars, about 5:30 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 51 times: bars 9, 10, 11, 13, 14, 15 and 45 more.