73 bars of 8/4 -- not four -- at 138 BPM, 4:10 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27-31, 33 and 36 -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 1, 2, 6, 7, 8, 9 and 11 more.
3 more fills are written out on the fills page.
73 bars across 5 sections: 15 keep time, 17 are fills, 1 is a stop and 36 are silent.
138 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
73 bars, about 4:10 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 1, 2, 6, 7, 8, 9 and 11 more.