187 bars at 170 BPM -- fast, and 4:25 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-50, 53-58 and 85-90, and 7 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 61 times: bars 1, 2, 3, 4, 7, 8 and 55 more.
12 more fills are written out on the fills page.
187 bars across 18 sections: 71 keep time, 61 are fills, 37 are stops and 4 are silent. The longest unbroken stretch of time is bars 124-133.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
187 bars, about 4:25 at the written tempo. The course breaks it into 53 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 61 times: bars 1, 2, 3, 4, 7, 8 and 55 more.