197 bars at 180 BPM -- fast, and 4:44 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25, 27-33 and 36, and 17 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 37 times: bars 4, 6, 14, 18, 22, 34 and 31 more.
13 more fills are written out on the fills page.
197 bars across 21 sections: 115 keep time, 37 are fills, 8 are stops and 19 are silent. The longest unbroken stretch of time is bars 61-74.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
197 bars, about 4:44 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 37 times: bars 4, 6, 14, 18, 22, 34 and 31 more.