197 bars at 180 BPM -- fast, and 4:44 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-33, 36 and 38-41, and 17 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 40 times: bars 4, 6, 14, 18, 22, 34 and 34 more.
12 more fills are written out on the fills page.
197 bars across 21 sections: 114 keep time, 40 are fills, 7 are stops and 19 are silent. The longest unbroken stretch of time is bars 35-52.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
197 bars, about 4:44 at the written tempo. The course breaks it into 64 exercises over 17 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 40 times: bars 4, 6, 14, 18, 22, 34 and 34 more.