119 bars of 4/4 at 150 BPM, about 3:54 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 50, 52 and 56, and 1 more place -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 7 times: bars 16, 37, 41, 42, 48, 54 and 1 more.
3 more fills are written out on the fills page.
119 bars across 14 sections: 22 keep time, 7 are fills, 8 are stops and 77 are silent. The longest unbroken stretch of time is bars 89-92.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
119 bars, about 3:54 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 16, 37, 41, 42, 48, 54 and 1 more.