181 bars of 4/4 at 125 BPM, about 5:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-4, 11-12 and 43-44, and 6 more places -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 21 times: bars 2, 39, 42, 59, 60, 61 and 15 more.
4 more fills are written out on the fills page.
181 bars across 12 sections: 116 keep time, 21 are fills, 21 are stops and 7 are silent. The longest unbroken stretch of time is bars 151-175.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 61 out of 100; the rest of the number is everything around it.
181 bars, about 5:59 at the written tempo. The course breaks it into 41 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 2, 39, 42, 59, 60, 61 and 15 more.