51 bars of 4/4 at 130 BPM, about 1:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6, 8 and 12, and 2 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 7 times: bars 27, 28, 35, 36, 44, 45 and 1 more.
51 bars across 4 sections: 30 keep time, 7 are fills, 6 are stops and 5 are silent. The longest unbroken stretch of time is bars 5-18.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
51 bars, about 1:34 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 27, 28, 35, 36, 44, 45 and 1 more.