100 bars of 4/4 at 111 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-18, 20-22 and 26-27, and 3 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 23, 24, 25, 28, 42, 54 and 11 more.
3 more fills are written out on the fills page.
100 bars across 8 sections: 65 keep time, 17 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 10-22.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
100 bars, about 3:36 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 23, 24, 25, 28, 42, 54 and 11 more.