127 bars of 4/4 at 130 BPM, about 3:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 34-39, 42-47 and 68-74, and 3 more places -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 18 times: bars 9, 25, 33, 40, 41, 51 and 12 more.
4 more fills are written out on the fills page.
127 bars across 12 sections: 97 keep time, 18 are fills and 2 are silent. The longest unbroken stretch of time is bars 11-22.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
127 bars, about 3:54 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 18 times: bars 9, 25, 33, 40, 41, 51 and 12 more.