134 bars of 4/4 at a walking 90 BPM, 5:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-30, 32-34 and 36-38, and 8 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 19 times: bars 9, 18, 61, 65, 69, 86 and 13 more.
7 more fills are written out on the fills page.
134 bars across 10 sections: 76 keep time, 19 are fills, 20 are stops and 12 are silent. The longest unbroken stretch of time is bars 28-50.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
134 bars, about 5:40 at the written tempo. The course breaks it into 28 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 9, 18, 61, 65, 69, 86 and 13 more.