104 bars of 4/4 at a walking 88 BPM, 4:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-13, 16 and 31-33, and 6 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 38 times: bars 9, 17, 27, 30, 34, 35 and 32 more.
8 more fills are written out on the fills page.
104 bars across 11 sections: 54 keep time, 38 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-8.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
104 bars, about 4:41 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 38 times: bars 9, 17, 27, 30, 34, 35 and 32 more.