124 bars of 4/4 at 125 BPM, about 3:58 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21-23, 25-27 and 61-63, and 3 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 38 times: bars 6, 8, 10, 12, 16, 20 and 32 more.
6 more fills are written out on the fills page.
124 bars across 11 sections: 43 keep time, 38 are fills, 7 are stops and 28 are silent. The longest unbroken stretch of time is bars 65-71.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
124 bars, about 3:58 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 38 times: bars 6, 8, 10, 12, 16, 20 and 32 more.