149 bars of 4/4 at 134 BPM, about 4:23 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-44, 47-48 and 51-52, and 2 more places -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 33 times: bars 20, 21, 22, 23, 24, 25 and 27 more.
7 more fills are written out on the fills page.
149 bars across 11 sections: 85 keep time, 33 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 69-84.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
149 bars, about 4:23 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 33 times: bars 20, 21, 22, 23, 24, 25 and 27 more.