82 bars of 8/4 -- not four -- at 150 BPM, 3:42 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 27-28, 30-31 and 51-52 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 31 times: bars 1, 2, 3, 6, 9, 13 and 25 more.
9 more fills are written out on the fills page.
82 bars across 7 sections: 18 keep time, 31 are fills, 1 is a stop and 31 are silent.
150 BPM, in 8/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
82 bars, about 3:42 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 31 times: bars 1, 2, 3, 6, 9, 13 and 25 more.