131 bars of 4/4 at 135 BPM, about 3:52 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-24, 26-28 and 30-32, and 9 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 40 times: bars 6, 7, 8, 9, 13, 17 and 34 more.
11 more fills are written out on the fills page.
131 bars across 12 sections: 54 keep time, 40 are fills, 11 are stops and 18 are silent. The longest unbroken stretch of time is bars 26-32.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
131 bars, about 3:52 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 40 times: bars 6, 7, 8, 9, 13, 17 and 34 more.