230 bars of 4/4 at 137 BPM, about 6:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-18, 23-24 and 42-45, and 15 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 48, 80, 93, 114 and 230.
1 more fill is written out on the fills page.
230 bars across 18 sections: 169 keep time, 5 are fills, 14 are stops and 21 are silent. The longest unbroken stretch of time is bars 132-162.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
230 bars, about 6:43 at the written tempo. The course breaks it into 46 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 48, 80, 93, 114 and 230.