152 bars of 4/4 at 140 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 35-37, and 5 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 49 times: bars 1, 2, 3, 4, 5, 6 and 43 more.
24 more fills are written out on the fills page.
152 bars across 20 sections: 83 keep time, 49 are fills, 4 are stops and 2 are silent. The longest unbroken stretch of time is bars 57-64.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
152 bars, about 4:18 at the written tempo. The course breaks it into 74 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 49 times: bars 1, 2, 3, 4, 5, 6 and 43 more.