127 bars of 4/4 at 135 BPM, about 3:46 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 33 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 13 times: bars 9, 17, 25, 41, 49, 57 and 7 more.
4 more fills are written out on the fills page.
127 bars across 12 sections: 43 keep time, 13 are fills, 53 are stops and 7 are silent. The longest unbroken stretch of time is bars 11-16.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
127 bars, about 3:46 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 9, 17, 25, 41, 49, 57 and 7 more.